ANTONIO MUNIZ on ArtScene, by Bill Lasarow.


By Bill Lasarow
October 2012

“Fumage was among the arsenal of techniques used in classic Surrealism to help get the juices of the sub-conscious mind going. The random imprint of smoke from a combustible object such as a candle would be applied to a painting surface so the artist could let their imagination roam. Like Jean Arp’s dropped strings, Max Ernst’s frottage, or the automatism of André Masson, fumage offers a random but distinct starting point. Historically these techniques are firmly rooted in Dada and Surrealism; aesthetically they enabled artists to focus on the process of the interplay between painting and imagination free from the pre-planned image. As earlier formal innovations gave artists permission to bring painting back to the two-dimensional surface, these innovations represented the decisive overturning of a pictorial hierarchy that the Impressionists and Symbolists had only begun.”

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